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How many other companies claim that? You gotta ask the right questions when your buying plug ins. They meticulously work at creating the real sound of the genuine hardware, and they don't stop until it's 100%. You can make a whole album using just Slate plugins, seriously. Not saying you shouldn't use others, by any means, but Slate knows his stuff and it's the real thing. Since most of us don't know what the real hardware sounds like, trust a company that shows you by what they put out. Slate get their stuff to sound REAL or they don't release it. Most other companies create plug ins and don't spend nearly as long as Slate does. I trust Slate plug ins because they spend years building what they put out. However, the truth is, how many of us really know what a NEVE eq sounds like? An SSL eq? I'm sure very few of us know. Listen guys, there are companies out there making plug ins to replicate hardware eq's, compressors, etc. He's more like a collaborator than a salesman. Sean is patient, and guides me towards the tools I need to accomplish my recording goals.
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They just make my recordings (vocals, drums and guitars especially) sound like I know what I am doing!Īnd my long-time Sales Engineer, Sean Geyer has been a great resource.like a personal trainer for recording. I have read a lot of the 'hype' about the touted analogue/vintage super powers that the VMR/VCC/VBC posses, and after owning them for a while now I guess I have to agree that there is something going on with these plugins that is a bit mystical.for me, anyway. Also, when I finally take the time to dial-in a more appropriate setting (EQ or compression) I can do so fairly quickly.
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The factory presets for vocals and instruments are usually pretty close to what I am imagining, so they are easy to use. This is why the Slate products are what I usually grab first. Plus, investing time fiddling with compression and EQ settings inhibits my workflow and just is a distraction when I am trying to get ideas recorded quickly. However, I am not that good at ratios and technical detail. I use several quality (name-brand) mix/master products that I'm sure are incredible tools in the hands of qualified users.
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The VMR is a great addition to any home studio.
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While I'm not going to get into additional purchases I will say there are 2 additional FREE modules available for the VMR they are the Monster compressor which is much like the FG-116 on steroids, and the Revival which is great if you just need to liven up the top and/or bottom end. These 4 modules will handle most of your eq and compression needs on your tracks. The FG-116 does a killer job on certain things especially drums and bass where the FG-401 seems to be a little more flexible in some instances where the FG-116 is not quite working. Both eqs are excellent, I tend to lean toward the FG-N for most things because it just sounds great and it's a little simpler but the FG-S can give you a little more control for fine tuning. I'm not going to get into the additional modules available since they are ultimately additional purchases and I want to only touch on what's included in this particular product. This was my introduction to Slate Digital products and I must say it has lead to other Slate purchases. Marching Percussion Accessories Shop By Category Guitar Workshop Keyboards & Synthesizers Shop By CategoryĬase Finder Drums & Percussion Shop By CategoryĬable Finder Microphones Shop By CategoryĬase Finder DJ Equipment Shop By CategoryĬable Finder Band & Orchestra Shop By Category
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